The Reviews Hub: ★★★★ 1/2 “The original film was most notable for its quirky humour, which is captured well in Craig Lucas’ book and the song lyrics by Nathan Tysen and composer Daniel Messé.” Viewers should try not to think about it too much.” But in its presentation of a fractured city that needs a vigilante to cheer its citizens up, it reflects fractured urban living.
The Upcoming: ★★★★ “ Amelie: The Musical isn’t trying to make a statement – it’s having too much fun for that.
Anyway, the show is, as a whole, absolutely delightful and thoroughly magical.” The cast crowd the space, leaving Amélie’s solitude to the imagination rather than building an observable representation of her state of mind. The Telegraph: ★★★ “The plot is too complex and the accents are dippy, but it’s hard not to enjoy this stage version of the widely-loved 2001 romcom.”īroadway World: ★★★★ “This essential ingredient, however, slightly hinders the isolation and alienation of the original characters. INews: ★★★★ “This is a treat – a lip-licking délice of a show, oozing charm, with a lead performance from Audrey Brisson that is the glossy cherry on the top.” LondonTheatre1: ★★★★ “While the musical numbers don’t quite soar in the way in which many West End musicals have done, the core message of spreading goodness around is apt in these still uncertain times.” We round up the reviews for this popular musical based on the film, now playing at the Criterion Theatre until 25 September 2021.
0 kommentar(er)
